Under the purview of the Kidz Bop Kids, Mars' condo in Manhattan is less a carnal kingdom and more like summer camp, with his plans for "sex by the fire at night" transforming into a "hang by the fire at night," and his "drop it for me" commands turning into "sing it with a friend." "I'm the One," DJ Khaled Lipa's "new rules" for warding off her ex, most of which have to do with avoiding drunken hookups, get a squeaky-clean makeover courtesy of the Kidz Bop Kids, who transform her warning that "you know you're gonna wake up in his bed in the morning" to the cheerier "you know you're gonna meet up with your friends in the morning." "Lose My Breath," Destiny’s ChildĪs much as the Kidz Bop Kids playfully huff and puff in the background of their "Lose My Breath" vocals, that doesn't change the explicit nature of the bedroom behavior that Beyonce, Kelly and Michelle were originally describing, with their version keeping original lyrics like "Need a lifeguard and I need protection / To put it on me deep in the right direction." "That’s What I Like," Bruno Mars Instead of just choosing literally any other song, "Kidz Bop" rewrote the entire chorus of this Chainsmokers hit to make it family-friendly, giving the song one of the funniest facelifts in the Kidz Bop Kids' history: "So, baby, pull me closer as we stand against the Rover / That I know they can't afford / Brush that stress right off your shoulder / Pull the sheets right off the corner of that notebook that you stole / From your friend's room back in Boulder / We ain't ever getting older." "Toxic," Britney SpearsĪgain, of all the pop songs "Kidz Bop" could've chosen for this collection, they just shrugged, chose "Toxic," and assigned a bunch of kids to sing the lyric "With a taste of your lips, I'm on a ride?" "New Rules," Dua Lipa Yet, "Love on the Brain" was apparently still fair game for the Kidz Bop Kids, whose edited-in lyric "it makes me feel it's true, but it tricks me so good" is almost as egregious as their attempts to replicate Rih's vocals. "Kidz Bop" covering Rihanna should be a crime in and of itself, but this song was a particularly questionable choice, with a line like "it beats me black and blue, but it (expletive) me so good" about the singer's troubled love.